Trevor’s Photo Tip: Light it up. The East Coast has the brownest and murkiest water of anywhere I’ve ever seen. Even with bright sunshine, the barrels here become so dark its difficult to get any sort of proper exposure or contrast. Using a flash to fill the dark cave allows for a balanced exposure to match the ambient light outside of the barrel, giving the photo much more contrast and pop while still being subtle with the flash. The most important part of shooting with a flash is practice and patience. (more…)Thank you for visiting the Swell blog. Visit us on www.facebook.com/swell for more exclusive fan offers, giveaways and more.
Posts Tagged ‘photo tip’
“My photo tip is research. To many photographers don’t spend the time to understand their subjects and what they are trying to achieve. Researching photographers before you will help you to pre visualize what you want to achieve before you swim out. I think it also helps to see whats been done already so you can do something different” Darshan Gooch (above) can bust airs or ride Alias, so Seth accounted for the waves, rider and board for this POV.
More about FTLF Finalist, Seth De Roulet
Favorite Surfer to Shoot: Andrew Bennett and Bobby Martinez. Andrew Bennett because it usually means we are somewhere else in the world and getting barrels big enough to fit a house in.
I always enjoy shooting Bobby Martinez because his surfing is not like any other surfer. His style is truly unique and that is pretty rare these days. (more…)
Photo Tip of the Week from SWELL Photographer, Jeff Sipper:
[on taking photos indoors] “Lighting indoors can be tough. Try to find an open window or door for more natural light. If that isn’t available, any light that you can move around should help.”
Pictured: Frankie’s Bikinis
Want more? Check out more Photo Tips, Tools and More Here
Photo Tip of the Week: Shawn Parkin Follow The Light Winner Talks About Getting Weird With Zoom Lenses
“For many photographers, including myself, zoom lenses allow us to achieve greater focal range, at a relatively low cost. Good glass doesn’t come cheap, so many photographers need to stretch their lens budget by buying zoom lenses. There’s nothing wrong with that. But the ability to zoom can sometimes lead to stale perspectives. It’s far too easy to sit in one spot, zoom in to get a tight shot, and then zoom out to get a wide shot. But far more important that moving your zoom ring, is moving your feet. These photographs of Jason Arnold (below) and Dane Reynolds (above) were shot with the same lens (50mm fixed), on the same day. Two completely different perspectives, achieved by moving closer, and farther away from the subject.” -Shawn Parkin
-Grab a prime (fixed focal length) lens for a session, or if you don’t have access to one, then use your zoom lens, but keep it fixed on one focal length. This will force you to move your position.
-To get a wide shot, you’ll have to move back. To get a tight shot, you’ll have to move in close. This will change the perspective in your photographs, and when done right, will help to create more interesting angles.
-Keep in mind that moving around to find different angles doesn’t always mean standing on your feet. Lay down on the ground. Climb a tree. Get weird.